Aisha originated from research about the Maghribi script – its
regular Arabic weight is based on the foundry type Titus discovered
in a 19th century book. In the process of design Titus reinterpreted
the sources within the framework provided by current usage and
technology. He developed a Latin face to accompany the Arabic,
drawing both as independently usable, yet closely related typefaces.
The Latin version of Aisha is one of the designs where the style of
the Arabic version shaped the direction for the Roman letters, rather
than the other way around. Drawing on research around Maghribi
calligraphy, and inspired by expressive Moroccan lettering, the
resulting designs feature generous curves and joyful variations,
rendering Aisha a historically informed typeface for contemporary
requirements, with a wide range of weights in both Arabic and Latin.
Certificate of Excellence in Type Design, TDC2 2010
“Y no hace falta ser un entendido en tipografía árabe, creo, para concluir que Aisha es de lo mejorcito en un género, el de las fundiciones árabes de estilo magrebí, …”
A. Giménez Reíllo
“Congrats on the reworked Aisha. Ranging figures seems – in hindsight – like a no-brainer for Arabic; great touch!”
David Lemon, Adobe Type
“Nemeth describes the model for Aisha as ‘curious and very playful’ — which is exactly what makes Aisha so attractive. The loopy, brush-like quality of the Arabic makes a smooth transition into the Latin version; both scripts exude a lively playfulness.”
Jan Middendorp for 8 Faces magazine
x in the text means that the selected type family does not support corresponding character. Try selecting different family or have a look at all our fonts.
Titus Nemeth is a type designer and typographer with specialist expertise in the Arabic script. He works as an independent designer and typographic consultant, building on his substantial experience and research in the field.
His original type designs have won multiple internationally renowned awards and are widely used for complex, cross-cultural, visual communication. Titus’ practice combines the making and the use of type, as he is convinced that both aspects inform each other: ‘the better I understand how type is used, the better I can design for it’.
Titus holds a PhD, and an MA in Typeface Design, from the University of Reading, UK, and a diploma in Graphic Design from Die Graphische in Vienna, Austria. He has taught type design and typography at a number of schools in France, Morocco, Qatar, and the United Kingdom.