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About Sutturah

Sutturah is a display font intended for posters and display environments demanding high visual impact. Originating from an exploration of new, radical text patterns, the font combines highly detailed and constructed shapes with a script-flavouring. The design brings together varied influences – from gothic Fraktur to the ultrablack display, and high-contrast wood types. Sutturah is informal and irreverent in its visual style.

Its strong character goes beyond the accepted conventions of letter-shape construction, quickly catching the eye and surprising the reader. Its personality allows for the creation of stunning pieces of design without the need of any other elements – a single word in Sutturah can be worth a thousand images! Extra ligatures and swashes provide the designer even more possibilities to experiment with and add to the fun of using the typeface.

Typographica’s Best of 2012
Certificate of Excellence in Type Design, TDC 2012
Second prize for Display, Granshan 2012
Communication Arts Typographic Annual 2013
“On the one hand, it’s jovial, overstuffed, and good-natured. On the other, it’s got a taste for fast cars and loose women.”
for Typographica
“I love this! My highest compliment: envy.”
“Let me get the obvious out of the way. Sutturah […] isn’t versatile or a workhorse. It’s not ideal for setting small text or many of the other prized descriptors lavished on typeface designs.“
for Typographica

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x in the text means that the selected type family does not support corresponding character. Try selecting different family or have a look at all our fonts.
2be96e5e736e8d561ae972001e43529f.png?background=e2e9eb&brightness=0&letter spacing=100&line height=135&negative top margin=&single line=false&text=the+civilization+of+the+nineteenth+century+has+improved+on+the+wall scrawlings+of+the+ancients.+the+old+primeval+habit+is+certainly+ineffaceable%2c+and+the+youth+of+this+country+still+persist+in+caricaturing+their+pastors+and+masters%2c+their+instructors+and+their+political+governors+on+the+walls.+but+our+age+has+one+gigantic+advantage+over+its+predecessors%3b+we+are+a+people+of+advertisers.+a+few+graffiti+may+defy+the+effacing+fingers+of+time%2c+whereas+millions+of+such+legends+are+washed+away%2c+rubbed+out%2c+or+perish+with+the+walls+that+bear+them.+a+similar+fate+may+await+the+monstrous+placards%2c+posters%2c+and+slips+which+are+plastered+on+the+hoardings+and+the+corner+houses+of+this+immense+metropolis%3b+but+their+indefinite+multiplication+by+means+of+the+printing+press+prevents+their+being+involved+in+a+common+ruin


97 languages
Latin (97 languages)
Afar, Afrikaans, Albanian, Asturian/Leonese, Basque, Belarusian (Latin), Bosnian (Latin), Breton, Catalan, Chamorro, Cornish, Corsican, Crimean Tatar, Croatian, Czech, Danish, Dutch/Flemish, Eastern Frisian, English, Esperanto, Estonian, Faroese, Finnish, French, Friulian, Galician, German, Gilbertese, Greenlandic, Hawaiian, Hungarian, Icelandic, Ido, Inari Sami, Indonesian, Interlingua, Irish, Italian, Karelian, Kashubian, Kurdish, Ladin, Latin, Latvian, Lithuanian, Lower Sorbian, Lule Sami, Luxembourgish, Malay, Maltese, Manx, Maori, Maori/Rarotongan, Northern Frisian, Northern Sami, Northern Sotho, Norwegian (Bokmål), Norwegian (Nynorsk), Nyanja/Chichewa, Occitan, Palauan, Pite Sami, Polish, Portuguese, Romanian/Moldovan, Romansh, Romany, Samoan, Sango, Saterland Frisian, Scottish Gaelic, Serbian/Montenegrin (Latin), Shona, Slovak, Slovenian, Southern Sami, Spanish (Castillian), Swahili, Swati, Swedish, Tagalog (Filipino), Tahitian, Tetum, Tokelau, Tsonga, Tswana, Turkish, Turkmen (Latin), Ume Sami, Upper Sorbian, Veps, Wallisian, Walloon, Welsh, Western Frisian, Wolof, Yapese
39 languages
Cyrillic (39 languages)
Abaza, Adyghe, Avaric/Avar, Bashkir, Belarusian (Cyrillic), Bosnian (Cyrillic), Bulgarian, Buriat, Chechen, Chuvash, Dargwa, Dungan, Erzya, Ingush, Kabardian, Kalmyk, Kara-Kalpak, Kazakh, Kirghiz, Komi, Komi-Permyak, Kumyk, Lezghian, Macedonian, Moksha, Mongolian, Nanai, Nogai, Ossetian, Russian, Rusyn, Serbian/Montenegrin (Cyrillic), Tabassaran, Tajik, Tatar, Turkmen (Cyrillic), Tuvinian, Ukrainian, Uzbek


Swashed alternates in Latin and Cyrillic!
Alternates allow for better flow
The lovely ligatures are always on
Eccentric, but well localized

opentype features

Ligatures (always switched on)
Contextual alternates (keep it switched on!)
Stylistic alternates
Basic superiors

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Mac OS X (Mavericks) Chrome 28
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Design: Octavio Pardo

Born in Pamplona (Spain), Octavio got his first degree in Fine Arts at the University of Barcelona. After several years working for various design studios and advertising agencies, he moved to the UK and subsequently graduated with an MA in Type Design from the University of Reading. After collaborating with Typofonderie in Paris for several months, Octavio went back to Pamplona where he continues to develop commercial and self-initiated projects, while seeking true happiness.


Post-production : David Březina
Cyrillic consultancy : Sergei Egorov