Merchandise

This unique limited series of generative-art posters was designed by David Březina, Anna Giedryś, and Johannes Neumeier in November 2021. It is an exploration into the various aspects and definitions of digital contemporary writing. What constitutes a character shape? What makes it calligraphic and what makes it glyphic? What is its essence, the fill or the boundary?

Each piece shows a single glyph from one of Rosetta’s typefaces rendered using computer-art techniques and plotted by a robotic calligrapher. Although coming from a precise geometric description, each result is a unique combination of the plotter, marker, and paper – a deviation from the digital mould.

• No. 1: Letter «a» by David Březina. The typeface is Sacco by David Březina, WIP.
• No. 2: Letter «g» by Anna Giedryś. The typeface is Lulu by Anna Giedryś, WIP.
• No. 3: Letter «s» by David Březina. The typeface is Avory by Sláva Jevčinová.
• No. 4: Question mark by Johannes Neumeier. The typeface is Clone Rounded by Lasko Dzurovski.

Each poster is produced in 25 originals with a pencilled note.

Dimensions: 250 × 330 mm
Colour: silver or gold
Paper: black 240g graphic paper
Cost: 25 € (75 € for all four)
International shipping included

See how we made the posters using our plotter

The specimen of the Nassim Arabic type family by Titus Nemeth belongs to an ongoing series of brochures representing individual type families from our library. Technical specs, clean text settings, snazzy details, and a colourful palette of possible applications.

Our binder and specimens were awarded in the European Design Awards 2020.

See Nassim’s microsite
Download the specimen in PDF

This neat two-colour poster devoted to the typeface Adapter was designed by David Březina. To illustrate the potential of Adapter’s variable font, he automated the drawing of the poster using the single variable font and Python/Drawbot script. The (705 × 360 mm) poster is printed in vivid orange and black colours on 70 g Munken Amber Graphic paper.

The specimen of the Gitan Latin type family by Florian Runge belongs to an ongoing series of brochures representing individual type families from our library. Technical specs, clean text settings, snazzy details, and a colourful palette of possible applications.

Our binder and specimens were awarded in the European Design Awards 2020.

See Gitan’s microsite
Download the specimen in PDF

The specimen of the Eskorte Latin type family by Elena Scheider belongs to an ongoing series of brochures representing individual type families from our library. Technical specs, clean text settings, snazzy details, and a colourful palette of possible applications.

Our binder and specimens were awarded in the European Design Awards 2020.

See Eskorte’s microsite
Download the specimen in PDF

The specimen of the Neacademia type family (Latin and Cyrillic) by Sergei Egorov belongs to an ongoing series of brochures representing individual type families from our library. Technical specs, clean text settings, snazzy details, and a colourful palette of possible applications. The specimen includes a short article on the development of Neacademia.

Our binder and specimens were awarded in the European Design Awards 2020.

See Neacademia’s microsite
Download the specimen in PDF

The specimen of the Nassim Latin type family by Titus Nemeth belongs to an ongoing series of brochures representing individual type families from our library. Technical specs, clean text settings, snazzy details, and a colourful palette of possible applications.

Our binder and specimens were awarded in the European Design Awards 2020.

See Nassim’s microsite
Download the specimen in PDF

The specimen of the Skolar Sans PE (Latin, Cyrillic, and Greek) type family by David Březina belongs to an ongoing series of brochures representing individual type families from our library. Technical specs, clean text settings, snazzy details, and a colourful palette of possible applications.

Our binder and specimens were awarded in the European Design Awards 2020.

See the microsite of Skolar Sans
Download the specimen in PDF

The specimen of the Avory PE (Latin, Cyrillic, and Greek) type family by Sláva Jevčinová belongs to an ongoing series of brochures representing individual type families from our library. Technical specs, clean text settings, snazzy details, and a colourful palette of possible applications.

Our binder and specimens were awarded in the European Design Awards 2020.

See Avory’s microsite
Download the specimen in PDF

The specimen of the Arabic type family Marlik by Borna Izadpanah belongs to an ongoing series of brochures representing individual type families from our library. Technical specs, clean text settings, snazzy details, and a colourful palette of possible applications. The specimen includes instructions to build your own 3D model of the famous Marlik cow!

Our binder and specimens were awarded in the European Design Awards 2020.

See Marlik’s microsite
Download the specimen in PDF

Typography is behind every thought published and designers are behind that typography. What if they muttered their type wisdom as their more famous neighbours, bosses, or colleagues passed by their studios? What if they mumbled it late in the evening over one too many glasses of their favourite wine? What if they corrected their older brother? What if it was these hidden design figures who had sowed the seeds of the words of wisdom we admire today?

This two-colour (500 × 700 mm) poster designed by Anna and David is printed in lime green and raspberry pink colours on 70 g Munken Amber Graphic paper.

This neat two-colour poster devoted to the typeface Corsair by Samarskaya & Partners will happily decorate every typophile’s office. It was designed by Ksenya Samarskaya. The (360 × 705 mm) poster is printed in silver and navy blue colours on 115 g Garda Pat Mat paper.

See Corsair’s microsite
Download the specimen in PDF