With his typeface Huronia, Ross Mills takes up the challenge of supporting all native languages of the Americas, with the hope of helping in the preservation of the endangered ones. In order to promote the typeface and its good cause, we decided to design a set of three posters which present native American stories in Cherokee, Nuuchahnulth, and Inuktitut, as well as in English. Anna Giedryś – the designer of these posters – created beautiful illustrations to accompany each of these stories. The posters (420 × 198 mm) are printed on Munken Pure Rough with silver added to the colours to produce a subtle metallic feel. They are sold as a set of three only.
International shipping is included! The posters are sent folded in an envelope.
This neat two-colour poster devoted to typeface Nassim by Titus Nemeth will happily decorate every typophile’s office. It was designed by Titus Nemeth and Anna Giedryś. The A2 (420 × 594 mm) poster is printed on Munken Pure Rough.
International shipping is included! The poster is sent rolled in a solid tube.
With his typeface Huronia, Ross Mills takes up the challenge of supporting all native languages of the Americas, with the hope of helping in the preservation of the endangered ones. In order to promote the typeface and its good cause, we decided to design a set of three posters which present native American stories in Cherokee, Nuuchahnulth, and Inuktitut, as well as in English. Anna Giedryś – the designer of these posters – created beautiful illustrations to accompany each of these stories. The posters (420 × 198 mm) are printed on Munken Pure Rough with silver added to the colours to produce a subtle metallic feel. They are sold as a set of three only.
International shipping is included! The posters are sent rolled in a solid tube.
Eight of our text type families presented in a neat old-school poster (280 × 605 mm) designed by Anna Giedryś. It is printed in gold and black colours on Munken Pure and send in a transparent sleeve.
International shipping is included! The poster is sent folded in an envelope.
Our first promotional poster. The front is a three-colour eye-catching print while the back is a more conventional type-specimen printed in one colour. The A2 (420 × 594 mm) poster printed on Munken Pure paper was designed by David Březina.
International shipping is included! The posters are sent rolled in a solid tube.
This neat two-colour poster devoted to the typeface Nassim by Titus Nemeth will happily decorate every typophile’s office. It was designed by Titus Nemeth and Anna Giedryś. The A2 (420 × 594 mm) poster is printed on Munken Pure Rough.
International shipping is included! The poster is sent folded in an envelope.
An ideal libation for type collaboration — a complementary beer to the Skolar type family, hand-made and lovingly supervised by the designer of Skolar himself. This non-filtered and 100 % organic beer is an attempt to break off the generally extremely stiff approach to type families. It is a semi-sweet, subtly bitter beer with a yeasty aftertaste, and as it goes best with the Regular weight, we call it Skolar Regulager. As far as we know Skolar is now the first type family extending not only beyond writing systems, but also beyond type!
Read more about the development of Skolar beer on our blog.
Rosetta type specimen no. 1 presents eight beautiful type families which together support over 300 languages. The brochure has 36 pages and covers ten writing systems. Rather than show enormous character sets and fuss about little details and features, we attempted to tell the story of why each typeface family is special. The brochure was designed by Anna Giedryś, Michal Hořava, and David Březina; three-colour offset print on Munken Print White, B5 (173 × 230 mm). At the end we have included a short article by David Březina on the perils of multi-script type design.
Download the specimen in PDF for free.
International shipping is included!
This issue of the typographic magazine Typo attempts to present a broader perspective of typography and lettering arts in India, its history as well as some recent design projects. The magazine presents articles and essays from renowned designers, a widely published scholar and historian, and many other type designers both from India and abroad. It is impossible to draw a complete picture of Indian typography in one issue, but Typo has put together a nice selection of what is relevant and even unveils some hard-to-find gems. Recommended to all Indians, non-Indians, and non-Indian Indians.
Publisher: Svět tisku, typo.cz
Description: book binding, 55 pages, 22.5 × 27.5 cm, English (with Czech translations)
Published: Autumn 2012
Contents:
